born 1987, Toledo, OH
lives in Toledo
For FRONT 2022, Cleveland Institute of Art graduate Loraine Lynn presents a selection of new tufted textiles. Exploding across the space in her signature manner, they confound the typical gallery placement of artworks by functioning as both visual objects and an immersive space for gathering. Her joyous, hypercolored pieces are tactile explorations of form and process that celebrate creative labor. Lynn creates her
work using industrial methods—a tufting gun combined with commercial-grade yarns—but repurposes these tools to generate original, challenging, and playful forms. Suggesting fungi or other beings in dialogue, the artworks encourage conversations at multiple scales.
Originally trained in glass and ceramics, Lynn turned to textiles as a counterpoint to those traditionally male-dominated fields. Her focus on hand production also questions the region’s association with assembly-line labor and manufacturing, emphasizing how craft and the joy of making can bring people together.
Lynn also participated in the FRONT 2022 preview exhibition at Transformer Station, for which she spent several months prototyping an experimental, reconfigurable seating unit with the Brooklyn-based architecture firm SO–IL. Despite much effort, the project was not ultimately realized. By including the unrealized designs in the preview
exhibition, FRONT asked: What are the challenges within unconventional collaborations between communities, artists, and designers? What lessons can we
take from the experience of projects that do not materialize?
Loraine Lynn JOY(full), 2022, Commissioned by FRONT International: Cleveland Triennial for Contemporary Art.